Producer: Megha Arts 
Director: Thampy Kannamthanam 
Cast: Jackie Shroff, Sharad Kapoor, Suman Rangnathan, Kiran Kumar
Music: Viju Shah

Hadh which means limit is really a limit on the nerves The film is one more of those in the line of underworld stories. This one has an additional sub-plot about an illegitimate child deserted by his mother after she gets married to a topnotch police officer. The child grows up hating his mother. Wow what a plot!!! Feel like having heard this.

So the young ‘bastard’ becomes an underworld don being tracked by the same police officer. But however our don has a heart of gold and instead of the police, his target is the rival don who he ultimately kills.

Applauds! Apllauds! Bravo! Bravo! The don thus puts an end to the gang wars and before his mother dies he forgives her, after all which son won’t when the mother acknowledges him in front of everybody that he is her child.

The film is a hopeless exercise which boasts of shoddy writing (Shyam Soni) and slipshod direction (Thampy Kannamthanam). Lack of emotional scenes and bad dialogue writing adds to the woes of a bad story telling experience. The romantic track of the don's ward, whom he treats like a brother, is dull and dreary, and the climax extremely routine.

Jackie Shroff tries to infuse life in some scenes with a spirited performance, and does well. Sharad Kapoor makes a weak hero. Watching him dance is tragedy personified. Suman Ranganathan does precious little other than what she is good at, expose herself. And Ayesha Julka has no role worth a mention. Vikram Gokhale is effective as the police officer. Kiran Kumar plays the rival don in a routine manner, though with a lot of gusto. His one liners Bhendi ka beej dialogue is appealing. Music from Viju Shah is noting to sing about, while action is routine. On the whole, Hadh goes limitless to bore the viewer and one thing is sure that it will have a certain ‘hadh’ at the collection.